Music performed by the ensemble
花筏 Hanaikada (Flower Raft) – Tadao Sawai (1968) The flower raft courses down the river, pausing at the water’s edge, then streaming down
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銀河 “Ginga” – Tadao Sawai (1984) for koto and sangen “Ginga (The Galaxy) is a piece for koto & shamisen. “Many people call the
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箏双重 Koto Futae – Minoru Miki (1973) The first movement shows a peaceful scene in which two kotos sing in the beauty of the
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赤の彩り Aka no Irodori – Hikaru Sawai (2003) “Red – the Color of Blaze -this piece describes various shades of red in a
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石筍 Sekijun – Tadao Sawai (1972) The bass koto takes the lead in opening this work for a three-part koto ensemble. In the
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五段砧 Godan-kinuta – Mitsuzaki Kengyo This work originally composed for two kotos is considered the highest point of instrumental development in the sokyoku
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火垂る Hotaru [Fire Flies] – Tadao Sawai (1980) Sawai’s response to a moving short story about a young boy and his infant sister starving
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琉球民謡による組曲 Ryukyu Minyo ni yoru Kumikyoku – Yutaka Makino (1966) Due to the structure of the koto and its 13 movable bridges, the instrument
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千鳥の曲 Chidori no Kyoku [Song of Plovers] – Yoshizawa Kengyo (1800-1872) Chidori no Kyoku is one of a set of compositions for voice and
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Mizu no Hentai 水の変態 – Michio Miyagi (1908) During the summer when he was aged 13, Michio moved to Incheon in Korea. He supported
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祭りの太鼓 Matsuri no Taiko – Michio Miyagi (1947) The composer, Michio Miyagi, started the New Music Tradition in the 1920’s. This tradition came
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Midnight Rain – Elizabeth Falconer (1989) Growing up in lush rainy Oregon, I feel a very close affinity with the sound of rain.
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